Jim Wilke jwilke123 at comcast.net
Tue Apr 25 22:31:27 EDT 2006

That may well be so.  The loss of daytime jazz brought home the fact 
jazz fans had better support what jazz was left by donating or lose it, 
too.  Sad to say, a lot of jazz listeners are apathetic when it comes 
to financial support.  Some are generous, but many others don't mind 
someone else paying their tab.  We all know only a fraction of 
listeners actually subscribe to public radio, but I suspect it may be 
an even a smaller percentage for jazz formats.

Club owners and concert presenters often face the same problem.   I've 
found it easy to get a large turnout for free outdoor jazz concerts 
I've presented (with musicians paid by MPTF/ Parks / City / grants / 
etc.),  but fewer than half as many show if you charge admission for 
the same talent.    Somebody, somewhere has to pay something  - Arturo, 
you do have fund raisers, don't you?


On Tuesday, April 25, 2006, at 06:50  PM, Tom Mallison wrote:

> As I remember, after the change at WRTI to night time Jazz they also 
> raised more money than in previous years when they were playing Jazz 
> 24/7.  ALOHA  Tom
> -----Original Message-----
>> From: Arturo <arturo893 at qwest.net>
>> Sent: Apr 25, 2006 1:49 PM
>> To: "jazzproglist at jazzweek. com" <jazzproglist at jazzweek.com>
>> Subject: [JPL] WBEZ......WRTI
>> I recall the uproar of the jazz community in Philadelphia PA when 
>> Temple
>> University's WRTI dropped day-time jazz to replace it with European
>> classical music. Many Philly jazzers like Rufus Harley and other jazz 
>> fans
>> parading in protest to the deaf ears of the decision making folks of 
>> WRTI. I
>> recall WRTI being 'justified' when after their first pledge drive 
>> after the
>> change in format they announced how they raised more monies during 
>> the day
>> then they ever did with jazz. I  write this to remind everyone that 
>> WBEZ is
>> changing formats for the same reason, dollar$ !!!
>> I feel saddened that the USA's patrimony-jazz, a cultural and 
>> historical
>> reflection of US society far beyond its musical qualities is being 
>> sold down
>> the river due to monetary concerns. Those that make the decisions at 
>> radio
>> and recording firms are under estimating their audiences, it's all 
>> about
>> exposure. The recording industry did the same in the mid-1980's when 
>> they
>> introduced CDs which cost less to manufacture yet sell for more=larger
>> profits. The labels created a publicity campaign extolling the 
>> virtues of
>> CDs, their indestructibility and better sound(both exaggerations), 
>> then
>> reduced the amount of LPs made eliminating a choice for the consumers 
>> only
>> to quote the declining sales of LPs as an excuse to make even more CD 
>> only
>> releases. Global corporate conglomerates break your leg and then 
>> accuse you
>> of being a cripple.
>> Arturo Gómez
>> Music Director, jazz89-KUVO
>> The Oasis In The City
>> Colorado's First HD FM Radio Station
>> Celebrating 10 Years of Live Performances!

More information about the jazzproglist mailing list