[JPL] Cannonball & Zawinul...

Jae Sinnett jaejazz at yahoo.com
Wed Jul 19 13:18:05 EDT 2006


Jim when you see a topic on the list you personally find irrelevant or one that you don't like you tend to jump in and suggest we move on to something else. I feel it's a good thread and important. That's what the list is for....to share thoughts and ideas and hopefully we all learn something from it. Stop playing hall monitor and if you don't like the thread - simply hit delete. 
   
  Jae Sinnett

Jim Wilke <jwilke123 at comcast.net> wrote:
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This week's sponsor: Lisa Hilton's MIDNIGHT IN MANHATTAN

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I did a live broadcast of a club date with Cannonball's Quintet with 
Joe on piano playing "Mercy, Mercy, Mercy" before the record came out 
in 1966. The crowd was cheering, and I knew immediately it was another 
soul jazz hit for Cannon... Never mind it was written by a 
conservatory-trained Austrian, the band's playing and the crowd 
reaction was not analytical or critical of the composer's nationality 
or ethnic origins. They were just clappin' and hip shakin' and shoulder 
waggin'. The tune and the band had the groove and the feel was just as 
genuine as a tune by Bobby Timmons or Nat, wasn't it? When the record 
came out it even got "AM Radio Play", which was what we called 
crossover hits from jazz to pop music in that era.

I don't remember this topic being an issue then except in some isolated 
instances, like Red Rodney touring the South with Bird as "Albino Red" 
in the 50s. I wonder why it comes up now?

Jim Wilke
Jazz After Hours, PRI
www.jazzafterhours.org

On Wednesday, July 19, 2006, at 09:35 AM, Jae Sinnett wrote:

> On the heels of Sonny and Jim, Miles and Bill, here's a question 
> regarding
> Cannonball's hiring of Joe Zawinul. I've heard comments about Julian 
> taking
> criticism for hiring a non-black pianist and supposedely Adderley 
> retorting
> Joe has the best sound for his band regardless of color. Can anyone 
> fill in
> the details of this anecdote? Truth or urban legend?
>
> Arturo Gómez
>

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This week's sponsor: Lisa Hilton's MIDNIGHT IN MANHATTAN

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A sinfully sultry mix of originals and standards'' is what JazzTrenzz reviewer Karl Stober had to say about composer/pianist Lisa Hilton's latest release, 'MIDNIGHT IN MANHATTAN', (Ruby Slippers Productions).  Inspired by a late New York night, she has once again created a recording full of evocative moods, strong melodies and expressive arrangements.  Creating a new band  for these sessions, 'Midnight In Manhattan' also features famed Brubeck saxman Bobby Militello, John Friday on drums and long time bassist Reggie McBride.  Eighteen-time Grammy winning engineer/producer Al Schmitt recorded and mixed with Hilton in Studio A/Capitol Studios keeping a natural sound that compliments the straight ahead tracks.

Trained in contemporary and classical piano, Hilton contemplated jazz greats for inspiration.  ''I've always been inspired by the melodies of our great American songwriters of the 30's, the rhythmic hooks of classic jazz of the 50's and a bit of our blues from the South'' comments Hilton, ''but I do think that jazz can be inspired by this musical heritage and still sound cool today.''

Hilton's music continues to earn numerous awards and honors.  Her music is distributed by Navarre and is available at most retail and online stores.  Her website is: www.lisahiltonmusic.com.

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