[JPL] Computers are useless

Ron Gill ron_gill at verizon.net
Mon Sep 4 16:05:00 EDT 2006

From: Bob Rogers <rwsfin at hotmail.com>
Date: 2006/09/04 Mon PM 12:26:54 CDT
To: jazzproglist at jazzweek.com
Subject: [JPL] Computers are useless


This week's sponsor:  Dare2 and Sunnyside Records


The Jazz Programmers Mailing List is a free service provided by JazzWeek.
For more information visit us at  http://www.jazzweek.com/jpl
To become a sponsor contact Ed Trefzger 
at ed.trefzger at jazzweek.com or 866-453-6401.

Bob, your comments are well stated and I could not agree with you more. As well as programmers, we should attempt to be teachers as well, using our experiences and knowledge to present music in a way that the listener is not only entranced but is surprised by the depth of what they are hearing. There are so many choices, but there is always new/old music that people don't hear and probably never will unless talented, knowlegeable and caring programmers expose them to it.
Thank you.
Ron Gill
Jazz Gallery
WGBH 89.7 FM
Boston, MA 

"Computers are useless because all they give you are answers."

                                            Pablo Picasso

Suppose I assert that the only acceptable way to present any form of 
artistic expression is to present it with artistic intentions.  That is, 
present it in a manner aesthetically pleasing to the presenter, one who 
always feels perfectly free to “lay it out as it plays,” like a good jazz 
musician.  How would that idea strike you?  Unworkable?  Pretentious?  
Self-indulgent?  Naïve?  Incorrect?  How about Necessary?

The notion today that one or two people in a radio station should compile a 
list of music that it’s okay to play and that that list will best represent 
the music and serve the listeners, is an outmoded idea and exactly the 
opposite of what needs to happen.  If every member of your air staff is a 
knowledgeable and gifted presenter, centralizing the decision of what gets 
played is inherently inferior to the collective consciousness (including the 
moods, spells, notions, eccentricities and sudden urges) of an air staff.  
If you don’t have a good air staff, maybe you should switch to a news/talk 
format.  That way there’s at least a chance that someone might say something 

Music radio was born when music was scarce.  From the 1920’s until quite 
recently, radio was a way to help mitigate that scarcity.  Today, as people 
discover that they are able to hear almost any music they want when they 
want it, music is no longer scarce.  With an iPod and a little effort most 
people can build their own music stream.  There’s certainly less and less 
reason to spend time with a radio station that’s not exceptionally good.  By 
good, I mean unique, irreplaceable.

I think that one of the fundamental survival skills for music radio is to 
provide unique, one-off sources of music that are as compelling as what 
listeners are doing for themselves, a valued option despite the fact that 
they may also “roll their own.”  Music-based stations with centralized play 
lists and other tools of “top-down” management, are facing diminishing 
importance.  They mistakenly assume that an optimum presentation of music is 
some kind of marketing science rather than an art, and that as such, music 
selection should be placed firmly in the hands of “program management 
professionals” who act as gatekeepers or tastemakers.  In the name of 
consistency, such stations offer a distillation of the views of those who 
are well-schooled in chart reading and adherence to whatever passes for 
programming status quo.  But views are no substitute for vision and 
consistent is not a synonym for compelling.

Another survival skill is to become cutting-edge adept at, and attentive to, 
your web presence and deft adaptation to other emerging platforms.  If you 
live, it is by the grace of your role as a content provider.  Old-school 
jazz radio won’t cut it in that environment.

You need to put on a hell of a show, actually a series of them.  That’s the 
kind of consistency that really counts.  To do that you need an air staff of 
knowledgeable and gifted presenters, people who already know what to play.  
Such people are not known to be particularly interested in what’s on your 
list or what your view is of those eternal questions, “What is jazz?” and 
“What are we to do? (Ruby, my dear)”

That’s why I’m not interested in listening to anyone that I think would 
follow my play list, much less yours.  I want crazy-brilliant, willful, 
passionate people on the air, doing what they love to do, making it up as 
they go along, people who love playing music more than they love the radio, 
or for that matter, they mamas.

Can I get a witness or something?

Bob Rogers
2816 Barmettler Street
Raleigh, NC 27607
WSHA - www.wshafm.org
Bouille & Rogers Consultants
email: rwsfin at hotmail.com
phone: (919) 413-4126


This week's sponsor:  Dare2 and Sunnyside Records

Following up his Grammy award-winning album Overtime, DAVE HOLLAND returns with CRITICAL MASS, the first new studio album in five years from his highly acclaimed quintet featuring CHRIS POTTER (tenor and soprano), STEVE NELSON (vibes), ROBIN EUBANKS (trombone), and NATE SMITH (drums).  CRITICAL MASS features eight road-tested, original compositions on record for the first time and, of course, masterful performances by a jazz group that has become a trademark for excellence in music.
GOING FOR ADDS: 8/28 and 8/29
IN STORES:  8/29
FALL TOUR DATES, UPDATED BIO, PRESS RELEASE, PHOTOS and more, please visit Rock Paper Scissors's OPK at: http://tinyurl.com/fkfls
LIMITED TIME ONLY!!! -- 100 MP3 free copies of a new version Dave's classic tune Dream of the Elders (recorded during the Critical Mass sessions) are available for download here: http://tinyurl.com/nf5hn
For more information, interviews, etc. -- please contact: garrett at sunnysiderecords.com


Send jazzproglist mailing list submissions to
	jazzproglist at jazzweek.com

To subscribe or unsubscribe via the World Wide Web, visit
or, via email, send a message with subject or body 'help' to
	jazzproglist-request at jazzweek.com

You can reach the person managing the list at
	jazzproglist-owner at jazzweek.com

Ron Gill

More information about the jazzproglist mailing list