[JPL] Feel/Intellectual

EvE cOrneLiOus eve at evecornelious.com
Thu Sep 14 12:00:59 EDT 2006


Hey Jae, 
I feel you.
Eve


> -------------------------------------------
> 
> This week's sponsor:  Russ Kassoff - ''SOMEWHERE'' (2006) - RHK JAZZ
> 
> -------------------------------------------
> 
> The Jazz Programmers Mailing List is a free service provided by JazzWeek.
> For more information visit us at  http://www.jazzweek.com/jpl
> To become a sponsor contact Ed Trefzger
> at ed.trefzger at jazzweek.com or 866-453-6401.
> 
> -------------------------------------------
> I grew up in the Pittsburgh PA area - just south of the city. The town
> baseball great Ken Griffey grew up in. In fact he was my neighbor. While
> growing up I sang in our gospel church choir. My grandmother also sang in a
> choir and my mother played piano in the church choir. Outside of having James
> Cleveland, the Mighty Clouds of Joy, etc.....we had Aretha, Otis, Motown, Sam
> and Dave, Dinah, etc.....in my household. My point with this is that for me I
> was very exposed to gospel and blues and some jazz music as a young boy. In
> fact that's all I was exposed to until I heard the Beatles. They sounded
> strange to me when I first heard them. I didn't understand why at the time but
> later it became apparent. The soul I was use to hearing and feeling wasn't
> there. Initially I only appreciated them because of the hype and I thought
> Ringo was cool. 
>    
>   Then I heard Hendrix. I heard this screaming loud guitar like I had never
> heard before but something reached me. I felt him. That was it for me. I
> learned what that "feeling" was. So from that point on with instrumentalists
> and vocalists I needed that "feeling" to be able to really enjoy the music I
> was listening to. Later I learned to "appreciate" talent. Like opera. I don't
> particularly care for opera but I respect the craft. I respect the level of
> talent required to perform opera but it was an intellectual appreciation. I
> learned to differentiate these sensations. That's how I hear much of classical
> music and unfortunately too much jazz. Intellectual appreciation.
>    
>   This is why I love this Gladys Knight release because it reaches my soul.
> Roberta Gambarini doesn't. With her it's an intellectual appreciation. I
> admire her control and pacing but her voice is thin to me. She sings pretty
> but I don't "feel" her - even when she's singing the "Centerpiece" blues. I
> should definitely feel her there but I don't. I feel Ann Hampton Callaway.
> Sorry Lenny but I don't feel Karin Allyson but I like her. I feel Sarah, Ella,
> Billie and Carmen. I feel Leika. I don't feel Diana Krall but I like her. I
> liked the Beatles but I didn't feel them. I felt Cream. I feel Jeff Beck. I
> feel Cold Blood. I feel vocalist Judi D. Anyone check out that CD yet? There's
> a surprise. Why these wild set of emotions for me? I'm not really sure but I'm
> sure it has much to do with how I was brought up and what I was exposed to
> very young. For me that's the fundamental difference. What I can feel and what
> I can intellectually appreciate. It's the proverbial cherry on the
>  toping when both can happen.
>    
>   Jae Sinnett  
> 
> 
> 
> 
> ---------------------------------
> Do you Yahoo!?
>  Everyone is raving about the  all-new Yahoo! Mail.
> -------------------------------------------
> 
> This week's sponsor:  Russ Kassoff - ''SOMEWHERE'' (2006) - RHK JAZZ
> 
> -------------------------------------------
> 
> ''It goes without saying that FRANK SINATRA could have enlisted the services
> of any accompanist he wanted. The fact that he chose RUSS KASSOFF speaks
> volumes about Kassoff's unequivocal artistry, which is splendidly showcased on
> SOMEWHERE'' (Jack Bowers-AAJ).  After almost 40 years as a professional
> musician, KASSOFF's first album as a leader features his serene beauty,
> intriguing style, and vivid concepts as an outstanding composer and gifted
> improviser.  With MARTIN WIND (bass) and TIM HORNER (drums), ''SOMEWHERE is
> vibrant, compelling, and destined to become an essential component of
> collections that favor jazz trios'' (Paula Edelstein-AMG).  ''Performed with
> class and a fine touch'' (Marion McPartland), ''SOMEWHERE is a masterpiece''
> (Bucky Pizzarelli).
>  
> ON YOUR DESKS NOW!
>  
> GOING FOR ADDS:  8/28
>  
> Available on-line:  www.cdbaby.com/kassoff
>  
> FALL ITINERARY (including Knickerbocker in NYC with BUCKY PIZZARELLI Sept.
> 28-30), (Midtown Jazz at Midday - Saint Peter's @ Citicorp NYC - 1 PM Oct.11),
> UPDATED BIO, PRESS RELEASE, PHOTOS and more, please visit
> www.russkassoff.com/somewhere
>  
> For more information, interviews, etc. -- please contact:
> katesmith999 at yahoo.com and visit www.katesmithpromotions.com
> 
> +++++++++++++++++++++++++++++++
> 
> Send jazzproglist mailing list submissions to
> jazzproglist at jazzweek.com
> 
> To subscribe or unsubscribe via the World Wide Web, visit
> http://lists.jazzweek.com/mailman/listinfo/jazzproglist
> or, via email, send a message with subject or body 'help' to
> jazzproglist-request at jazzweek.com
> 
> You can reach the person managing the list at
> jazzproglist-owner at jazzweek.com




More information about the jazzproglist mailing list