[JPL] Younger people on the radio

Bob Harrigan rharrigan at tampabay.rr.com
Thu Mar 8 20:45:52 EST 2007


Maurice,Have you heard A Tribute to Charlie Parker,Francesco Cafiso and 
strings,presented by Umbria Jazz?Best,Bob H.
----- Original Message ----- 
From: "Maurice Hogue" <onemansjazz at shaw.ca>
To: "Jazz Programmers Mailing List" <jazzproglist at jazzweek.com>
Sent: Thursday, March 08, 2007 5:47 PM
Subject: Re: [JPL] Younger people on the radio


> This Week's JPL Sponsor: SUMMIT RECORDS
>
>
> At 02:26 PM 08/03/2007 -0800, you wrote:
>>This Week's JPL Sponsor: SUMMIT RECORDS
>>
>>
>>The problem is ...as one PD put it to me (5 years ago when I was pounding 
>>this issue) "We can't ' afford ' to lose our audience."  The young 
>>audience still live with mom & dad and don't have jobs to support 
>>non-profits.
>>
>>I am 55 and I love the "new jazz" that's been coming out of Europe for 
>>quite some time now. Rachel Z ?? (I don't think so)
>>
>>A few years (when you had the chance) did any of you give any attention to 
>>Herbie Hancock's cd "Future 2 Future" ???  Most of you didn't even know 
>>about it. Even though I was not "behind" this project (as a promoter)...I 
>>was trying to get any of you to check it out and got no response and those 
>>of you that did were totally against it. And here's "a name" you all know 
>>(??)
>>
>>How many of you got behind DePhaz who did an excellent re-mix of Ella 
>>Fitzgerald singing "Lovechild"...(I prove my point)....
>>
>>Back to the original topic on this post--I'm stuck like a dope with a > 
>>thing called hope, but I beleive that old dogs can learn new tricks.  > 
>>Not when they're dying
>>
>>It is our survival. ....The "younger ones" (again, I'm 55 and "get it") 
>>aren't "exposed" to European jazz and they don't "get it" either. I don't 
>>consider "hip-hop" and some of the stuff they listen to as jazz but there 
>>is "electronica" jazz out there.... it does have a "distinct sound" and 
>>unless you've been "exposed" ....you don't know any better.
>>
>>MEW
>
> I've been watching and playing music from Europe and other
> countries since I started my show.  There's some great stuff
> there.
>
> I'm one of the oldest people programming at our station (over
> 60), and constantly trying to talk it up with some of the younger
> programmers about our music.  What's happened recently is
> the show following mine, a hip hop show, is now playing some
> jazz.  The host is maybe 21, and she's trying things, asking me
> what's this like. She walked in one day with some used vinyl
> that she'd bought in Toronto, all jazz titles.  She makes my day
> when she plays something that I know. She's learning on the job
> so to speak, and she is interested. And her audience is getting
> to hear those choices too.  One small step.....
>
> What's also interesting (sometimes a bit frustrating) is how much of the
> music that gets catalogued by volunteers gets a jazz designation.
> Seems if there's even the slightest hint of jazz (maybe if there's a 
> saxophone
> on it) , gets a jazz sticker.  Not to mention that if some group
> has played at the Winnipeg Jazz Festival in their "urban groove"
> series, they get a jazz sticker on their cd.
>
> So as has been mentioned, there is a much wider conception of what
> is jazz amongst the younger crew.
>
> Maurice Hogue
> CKUW Winnipeg
> -------------------------------------------
> This Week's Sponsor: SUMMIT RECORDS
> -------------------------------------------
>
> ON YOUR DESK THIS WEEK FROM SUMMIT RECORDS:
>
> TED HOWE ''Love Song'':  The third release from Ted invites the listener 
> into a jazz time capsule of love songs.  And as fans and critics alike 
> found with ''Ellington'' and ''Elton Exposed'', Howe's virtuosic piano 
> style and arrangements lead straight to surprise.
>
> Featuring the great jazz baritone Giacomo Gates and star of stage, screen 
> and television, Lainie Kazan on a couple of tunes, Ted Howe delivers a 
> beautiful recording of masterfully arranged standards (Arlen, Van Heusen, 
> Porter) and originals; a perfect mix of instrumentals and vocals. 
> http://www.summitrecords.com/product.tmpl?SKU=477
>
> BOB FLORENCE LIMITED EDITION ''Eternal Licks and Grooves'':  Featuring 
> Peter Erskine, Carl Saunders and Scott Whitfield, this all-star big band 
> offers the listener what they have come to expect from the award-winning, 
> legendary bandleader Bob Florence - Sensitive yet powerful arrangements 
> with a HUGE sound that will put you on the edge of your seat.  Spectacular 
> outing!
>
> Includes ''Eternal Licks and Grooves'' commissioned by ASCAP and IAJE 
> honoring Count Basie and ''Appearing In Cleveland'' commissioned by the LA 
> Jazz Institute honoring Stan Kenton. 
> http://www.summitrecords.com/product.tmpl?SKU=478
>
> Radio and print media promotion by Dr. Jazz, 800-955-4375, 
> drjazz at drjazz.com
>
>
>
> To become a sponsor contact Devon Murphy at devon at jazzweek.com / 
> 866-453-6401 x3 or Ed Trefzger at ed at jazzweek.com / 866-453-6401 x1.
>
>
> +++++++++++++++++++++++++++++++
>
> Send jazzproglist mailing list submissions to
> jazzproglist at jazzweek.com
>
> To subscribe or unsubscribe via the World Wide Web, visit
> http://lists.jazzweek.com/mailman/listinfo/jazzproglist
> or, via email, send a message with subject or body 'help' to
> jazzproglist-request at jazzweek.com
>
> You can reach the person managing the list at
> jazzproglist-owner at jazzweek.com
>
> Delivered to: rharrigan at tampabay.rr.com 



More information about the jazzproglist mailing list