[JPL] Joshua Redman

Jim Wilke jwilke123 at comcast.net
Tue May 1 18:49:34 EDT 2007

This whole discussion brings to mind a story told by Dave Frishberg  
(it's on his CD "Do You Miss New York?").   He says when he first came 
to New York in the 50s it was customary for songwriters to take their 
songs directly to the publishers and play them on a little spinet in 
their office and the publisher would tell you "whether or not he 
thought Connie Francis would record it."    Dave says as he was 
demo-ing one of his songs "one guy said to me 'whatsa name a dat 
chord?'"  and Dave said "That? that's a B7"... and the guy says  
"That's where you lose 'em!"


On Tuesday, May 1, 2007, at 03:18  PM, Rick McLaughlin wrote:

> This Week's JPL Sponsor: Voluntary Donors
> Hey Jae,
> A quick thing about this whole Eb7 over G7 bit.  Basically, it results 
> in
> the altered scale, which is sort of a Jazz Improvisation 101 scale 
> (there is
> one different note, but it's essentially the altered scale). The two 
> chords
> may be very different, but they result in something that sounds just 
> like
> "Jazz."  Arpeggiate it, play it as a scale, select a melody from the 
> notes
> in the scale, and no matter what - ascending, descending, in 3rds, 
> 4ths,
> anything - everyone on this list will recognize the sound.
> Thanks,
> Rick McLaughlin

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