[JPL] The Classic Rock Magazine Is Switching to a Smaller,
Jazz Promo Services
jazzpromo at earthlink.net
Sun Aug 10 19:21:51 EDT 2008
August 11, 2008
The Classic Rock Magazine Is Switching to a Smaller, Rack-Friendly Size
By RICHARD PÉREZ-PEÑA
Some packages like the curvaceous old Coke bottle become so iconic that they
are recognizable at 30 paces. So it is with Rolling Stone, whose large
format has stood out on magazine racks for more than three decades. It won¹t
for much longer, however. With the Oct. 30 issue, which will go on sale Oct.
17, Rolling Stone, published by Wenner Media, will adopt the standard size
used by all but a few magazines.
In an interview in his office, Jann Wenner, founder, publisher, editor and
general guiding force behind the nation¹s biggest music magazine, was
characteristically brash about the change. Leaning back in his chair, one
leg slung over the side of it, he said, ³All you¹re getting from that large
size is nostalgia.²
But as he knows well, nostalgia is a powerful marketing force, as is a
package that instantly evokes not only the product, but an era. It is
tempting to apply that logic to a 41-year-old magazine that seems to put as
many pensioners as teenagers on its cover, but Rolling Stone¹s readership,
bigger than it has ever been, has a surprisingly young median age, in the
early 30s, according to market research firms.
Rolling Stone, published every other week, has paid circulation in the
United States of more than 1.4 million, the highest in its history, but its
single-copy sales have fallen from 189,000 in 1999, to 132,000 last year.
Magazine racks at bookstores, newsstands and checkout counters tend to be
made for the standard dimensions, and if Rolling Stone is there, it is often
on a high or low shelf, out of eye level, or even on its side or folded
Gary Armstrong, chief marketing officer for Wenner Media, pointed to Vanity
Fair, which has lower overall circulation than Rolling Stone, but nearly
three times the single-copy sales. With a standard format, he said, it
should be possible to raise newsstand sales significantly.
³The consumer we want to reach watches Lost¹ on a big TV screen, on a
computer screen and on an iPhone,² he said. ³They¹re agnostic on format.²
While the people who run the magazine argue that there is much to be gained
from the change in advertising, sales and aesthetics they also admit to
losing something that made Rolling Stone distinctive. ³I myself was kind of
torn about it,² Mr. Wenner admitted.
Along with the change in size, Rolling Stone will switch to heavier, glossy
paper and sleeker page designs, and it will be glued rather than stapled
³perfect bound² instead of ³saddle stitched,² in magazine lingo giving it
a flat spine rather than a tapered edge. In all, the revisions make for a
more professional, more grown-up look.
Those might be fighting words to Rolling Stone¹s original audience, and no
big deal to a generation raised on desktop publishing that makes even
dorm-room projects look polished. The changes fit a magazine that, after
taking a much-maligned detour in the 1990s toward more celebrity, pop
culture and bite-sized reports, has returned to form in the last few years,
winning awards for long articles on topics from Iraq to presidential
To save money on paper, many newspapers and magazines have taken to printing
smaller pages, fewer pages or both. But Rolling Stone says it will spend
more and print more, not less: in addition to using more expensive paper and
binding, it plans to add 16 to 20 pages per issue.
Magazine size has become increasingly standardized, at around 8 by 11
inches, give or take a fraction. Rolling Stone, at 10 by 11 3/4 inches, is,
like ESPN and W, one of the few large-circulation magazines left that are
significantly taller and wider.
Rolling Stone is profitable, according to Wenner, a privately held company
outside analysts agree but like the industry as a whole, it is going
through a rough period. The magazine had 486 ad pages in the first half of
2008, according to the Publishers Information Bureau, down 33 percent from
the same period in 2005.
On balance, going to standard size should appeal to advertisers, according
to Brenda White, senior vice president for publishing at Starcom USA, a
major media agency. ³But when you change something that¹s been that way for
how many years? people might hesitate,² she said.
For most advertisers, she said, the improved picture quality on glossy paper
more than compensates for the smaller size, and it will save many of them
the expense of revising their usual ads to fit in Rolling Stone.
Media buyers and Rolling Stone executives say the change in size is likely
to make a bigger difference in selling insert ads, like those with scent
strips or tear-out postcards. For technical reasons, it is more difficult
and more expensive to put them into saddle-stitched magazines than into
Independent experts agree that the new size could help Rolling Stone strike
better deals with retailers, distributors, even printers all fields that,
over the last decade, have experienced great consolidation and a drive
³There are disadvantages to being an odd size in handling, moving it through
distribution centers, in addition to retail display,² said John Harrington,
editor of The New Single Copy, a newsletter about magazine marketing. ³If
you came forward trying to sell a brand new magazine today with that size,
you¹d have to have a lot of money behind it for it to be accepted.²
Rolling Stone created a prototype issue at the smaller size in July, sent it
to more than 3,000 readers and asked them to take a survey. The company says
the reaction was overwhelmingly positive, and it showed the survey results
to some of its major advertisers and ad buyers.
In the large format, long articles often turn up as daunting expanses of
almost uninterrupted type. With the revision, such pages are smaller and
less intimidating, and more likely to be broken up with photographs.
Sections filled with shorter items look less cluttered with fewer of them on
a page. Smaller design changes give the pages a slightly airier, cleaner
³We¹ve evolved,² Mr. Wenner said. ³But the core tradition, the mission,
remains the same.²
More information about the jazzproglist