[JPL] oops sorry about that on florence

McWilliams, Robert C radiobob at ku.edu
Mon Aug 25 19:10:48 EDT 2008


This is what I get for glancing at email while doing production, and then forwarding something I got that was out of date. Sorry!
 
Bob McWilliams

________________________________

From: jazzproglist-bounces at jazzweek.com on behalf of McWilliams, Robert C
Sent: Mon 8/25/2008 6:06 PM
To: jazzproglist at jazzweek.com
Subject: [JPL] FW: [obit] Bob Florence



This week's sponsor:  Lisa Hilton

Composer/pianist Lisa Hilton's latest release, ''Sunny Day Theory'' is on your desk now.  Hilton is joined by top talent Lewis Nash on drums, Larry Grenadier on bass and Brice Winston on tenor sax.  Eighteen time Grammy winner, Al Schmitt recorded and mixed the 12 track release.

What is the ''Sunny Day Theory''?  Hilton smiles, ''My engineer Larry Mah made me laugh recounting a 'Foggy Day Theory', so I countered with a 'Sunny Day Theory' which basically assumes that difficulties, if embraced honestly,  create opportunity for growth.  Life can be challenging: I've realized after a rough year that the complex can be dealt with one step at a time, that there can be depth in something as simple as a melody, beauty within the blues, and that with tomorrow there is always the hope for a sunny day.''

LisaHiltonMusic.com

''Sunny Day Theory''/Ruby Slippers Productions promotion by Jane Dashow/Jazzzdog.com

++++++++++++++++++++++++++++++



Bob Florence: Jazz composer and band leader

Monday, 25 August 2008

http://www.independent.co.uk/news/obituaries/bob-florence-jazz-compose
r-and-band-leader-907808.html

Only the best musicians succeed in Los Angeles. The pianist Bob Florence,
who was born there, won on two fronts: he led one of the finest big bands in
the city, Bob Florence's Limited Edition, and he was one of the most sought-
after composers and arrangers of music for the city's commercial studios. His
often complex compositions ranked with the finest jazz writing of the last 50
years. Yet, despite the fact that he was regularly called to work in London, he
was not as well known in jazz circles in Britain as he should have been.

His arrangements were so compelling that he could often rewrite classic
standards like "Laura" or "How Deep is the Ocean" so that they sounded as
though he had written them himself. It's a conceit of many writers to think
that they can write original compositions that rank with the classic songs of
the Gershwins and Irving Berlins. In Florence's case he could, and he ranked
with Bill Holman as the finest composer and big band leader on the West
Coast. He won a Grammy for his big band album Serendipity 18 (2000), and
two Emmys.

"Somehow my mother discovered that I had perfect pitch," he recounted,
"and started me on the piano two months before I turned five. I gave my first
full-scale piano recital when I was seven. Iwas seriously headed tow ards a
concert pianist career, but I always loved big bands and jazz". When he left
high school, Florence studied music at Los Angeles City College and in
particular with Bob McDonald, who took a class in arranging and
orchestration. McDonald had a deep background in jazz and under his
influence Florence soon joined the college big band.

By 1956 he had joined Les Brown's band and wrote for it too. He wrote also
for the bands led by Harry James and Louie Bellson and in 1959 joined the
big band led by Si Zentner. "My career broke wide open because of an
arrangement of "Up A Lazy River" done for Si's big band." Zentner's record
became a hit. Commissions followed for Florence from many of the great
jazz names - Stan Kenton, Buddy Rich and Count Basie among them, and in
the commercial field he wrote for Andy Williams, Dean Martin and Frank
Sinatra. In the late Sixties he provided music for singers including Jack
Jones, Julie Andrews, Lena Horne and Vikki Carr.

"In 1969 I did six half-hour TV specials in London with Vikki Carr," he said.

Because of the Musicians' Union I couldn't do anything except write. I wrote
a couple of things for her while I was there. Don Lusher was in the trombone
section and Tubby Hayes, no longer tubby, was in the woodwind. He played
just beautifully.

Florence returned to work for Carr in 1973 and toured with her for five years.
When he returned to Los Angeles he formed his big band, made up of off-
duty studio musicians. In the Eighties Florence worked for Sarah Vaughan,
Doc Severinsen and Diane Schuur. In the late Eighties he reformed the big
band and now called it his Limited Edition, because the musicians it was
made up of had the ability to master without difficulty his most complex
writing.

"My career has not been entirely a jazz career," he said. "I'd hate to be
thought of as a total jazz musician. My personal tastes are so wide-ranging."

Steve Voce

Robert Chase Florence, pianist, arranger, composer and bandleader: born
Los Angeles 20 May 1932; twice married (one son, one daughter); died
Thousand Oaks, California 15 May 2008.





_______________________________________________
Exotica mailing list
Exotica at mailman.xmission.com
http://mailman.xmission.com/cgi-bin/mailman/listinfo/exotica
Report list abuse to list-abuse at studio-nibble.com

------- End of forwarded message -------



Darrell Brogdon
Program Director
Kansas Public Radio
KANU 91.5
KANH 89.7
KANV 91.3
http://kpr.ku.edu <http://kpr.ku.edu/>  <http://kpr.ku.edu/>


--

Jazz Programmers' Mailing List: jazzproglist at jazzweek.com
List information: http://lists.jazzweek.com/mailman/listinfo/jazzproglist
List archive: http://lists.jazzweek.com/pipermail/jazzproglist/
Sponsorship information: jplsponsor at jazzweek.com




More information about the jazzproglist mailing list