[JPL] Chet Baker AAJ Article

Forrest Faubion forrestfaubion at gmail.com
Mon Oct 20 19:49:20 EDT 2008

Hi Bill,

Thanks for your comments about the Chet Baker CD "Chet In Chicago".  Please
let me know if you want a copy for airplay.

Best Regards,

Forrest Faubion
Allegro Media Group
exclusive distributor for Enja and associated labels in the USA & Canada

On Sun, Oct 19, 2008 at 2:32 AM, Bill Barton <seekandlisten at gmail.com>wrote:

> This week's sponsor:  FRANK DERRICK
> To anyone who really listens, it will become immediately apparent that
> Frank Derrick's 'The Beat Goes On' (Jazzed Media) is an extremely well
> conceived, arranged, and brilliantly performed CD, marked by an interesting
> set of compositions that merit very close attention.  It serves as an
> excellent showcase for Derrick's writing and arranging skills along with his
> incredible musicianship. The band never stops swinging. Never. The solos are
> flawlessly paced, and delivered without a hint of waste.  A spirited and
> inventive big band and quintet that simply doesn't get much better.
> Promotion: Dick LaPalm (310) 472-7246 dlpjazz at thegrid.net
> and Fred Mancuso (702) 457-8815
> ++++++++++++++++++++++++++++++
> This article sells Baker short in my opinion.
> "His recordings are immediately accessible and completely digested, and
> therefore, understandable."
> What?  Completely digested?  Curious choice of words...
> "Baker is never flashy or dissonant. He proves to be quite the
> traditionalist when approaching a melody and then improvising on it. This
> is
> what makes Baker so readily listenable where a true trend-setter like John
> Coltrane presents music (particularly on his late-period Impulse! releases)
> too challenging for pedestrian listening."
> Sorry, but we're in the 21st Century now and this neo-con party-line
> dismissal of late-period Coltrane as "difficult listening" just doesn't cut
> it.  The old comparing apples to oranges cliche applies here.  Pedestrian
> listening?  So the writer's selling point for Baker is that his playing and
> singing is dandy for pedestrian listening?  What nonsense!  I'd suggest
> that
> the writer of this article hasn't really listened to any of the almost
> heartbreakingly intense ballad performances that Baker recorded over the
> years.  "Pedestrian" is one of the last words that springs to mind.  "Once
> Upon A Summertime" might be a good place to start...
> --
> Jazz Programmers' Mailing List: jazzproglist at jazzweek.com
> List information: http://lists.jazzweek.com/mailman/listinfo/jazzproglist
> List archive: http://lists.jazzweek.com/pipermail/jazzproglist/
> Sponsorship information: jplsponsor at jazzweek.com

More information about the jazzproglist mailing list