[JPL] Idaho Indian tribe pushes recognition of an early jazz singer

Dr. Jazz drjazz at drjazz.com
Fri Mar 16 22:49:31 EDT 2012


Idaho tribe touts 'Mrs. Swing's' Indian roots

By JOHN MILLER, Associated Press

Thursday, March 15, 2012

(03-15) 03:31 PDT Boise, Idaho (AP) --

Mildred Rinker Bailey was known to fans as "Mrs. Swing," whose slight, 
throaty voice won her acclaim as one of the great white jazz singers of 
the 1930s and 1940s

But the Coeur d'Alene Indian Tribe is now hoping to set the record 
straight once and for all: Bailey, who died impoverished in 
Poughkeepsie, N.Y., in 1951, was an American Indian who spent her 
childhood on the reservation near DeSmet, Idaho.

This week, the tribe introduced a resolution honoring Bailey in the 
Idaho Legislature, in part to convince the Jazz at Lincoln Center Hall 
of Fame in New York City to add her to its inductees --- on grounds she 
helped blaze a trail for better-known singers like Ella Fitzgerald and 
Billie Holiday.

"Mildred was a pioneer," said Coeur d'Alene Tribal Chairman Chief J. 
Allan. "She paved the way for many other female singers to follow."

Though Bailey's Coeur d'Alene ties may not have been common knowledge 
among her fans, it clearly wasn't a secret.

"Part Indian, she was born Mildred Rinker on a farm near Spokane," reads 
her Associated Press obituary, dated Dec. 13, 1951.

Still, in jazz history books, Bailey has gone down largely as a white 
female jazz stylist.

The New Grove Dictionary of Jazz hails her as "the first white singer to 
absorb and master the jazz-flavored phrasing...of her black contemporaries."

Howard Koslow, the illustrator who created Bailey's likeness on a 
29-cent U.S. Postal Service stamp based on an image by iconic jazz 
photographer William Gottlieb, said he had only that brief New Grove 
entry as a reference.

But his depiction of Bailey's dark complexion and black hair, for the 
stamp issued in a series honoring jazz and blues musicians, appears to 
capture her complex heritage.

"She has that look about her," Koslow recalled Tuesday in an interview 
from his Toms River, N.J., home.

Bailey was born Feb. 16, 1900, in the Washington farming town of Tekoa, 
near the Idaho border.

Her mother was a Coeur d'Alene tribal member, her father of Swiss-Irish 
stock.

At 13, she moved from the reservation to Spokane, where a neighbor 
destined to become world famous as "Bing" Crosby joined Bailey and her 
brother, Al Rinker, at the family's piano. Al Rinker and Crosby formed 
the group "The Rhythm Boys."

By the mid-1920s, all three were singing in California; in 1929, Crosby 
recommended to famous orchestra leader Paul Whiteman he add Bailey as a 
regular.

"I was lucky in knowing the great jazz and blues singer Mildred Bailey 
so early in life," Crosby wrote in his 1953 autobiography. "I learned a 
lot from her."

So has Julia Keefe, a 22-year-old jazz singer from Spokane.

Keefe, a member of Idaho's Nez Perce Indian Tribe, discovered Bailey as 
a student at Spokane's Gonzaga Prep, while researching Crosby's own time 
at the Catholic high school.

"It took off like a flash flood," remembers Keefe, now a performance 
major at the University <http://www.sfgate.com/education-guide/> of 
Miami with Bailey's photograph hanging on her Florida apartment wall.

In 2009, Keefe performed a musical tribute featuring Bailey's songs, 
including "Old Rockin' Chair" and "He's Not Worth Your Tears," at the 
Smithsonian Institution's National Museum of the American Indian in 
Washington, D.C.

A year later, Keefe was touring the Jazz at Lincoln Center Hall of Fame, 
pondering the greats on its 18-foot video wall when she asked herself, 
"Where's Mildred?"

Thus began her quiet effort to elevate Bailey's profile in the modern 
jazz world, a push the Idaho Legislature hopes to assist.

"It's sad to think she died penniless, or nearly penniless, after all 
the things that she accomplished," said Rep. Bob Nonini, a sponsor of 
resolution. "But it's never too late to recognize somebody."

Lincoln Center officials didn't immediately respond to an AP request for 
comment.

An important question remains: How important were Bailey's Indian roots 
to her art?

An undated quotation, attributed to her by the U.S. Postal Service in 
1994, hints at an answer.

"I don't know whether this (Indian) music compares with jazz or the 
classics, but I do know that it offers a young singer a remarkable 
training and background," Bailey reportedly said.

Bailey's niece, Julia Rinker-Miller, a Los Angeles-based singer whose 
credits include the "Three's Company" theme, was seven in 1951 when her 
aunt died in a Hudson Valley hospital, from complications of diabetes 
and obesity; Frank Sinatra reportedly helped pay her medical bills.

"Even though she was large, she was delicate, very exotic, sensual," 
Rinker-Miller recalled during an interview Tuesday.

 From her father, Rinker-Miller heard stories of how they were called 
"breeds" after moving from the Coeur d'Alene reservation to Spokane.

Consequently, he downplayed his own American Indian background, she said.

She figures Bailey was forced to do likewise during her career --- 
possibly why she became known as a white artist.

"Mildred's returning to her roots," Rinker-Miller said, of the tribe's 
effort to reclaim Bailey. "She's going home."

http://sfgate.com/cgi-bin/article.cgi?f=/n/a/2012/03/15/national/a012826D27.DTL


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